The trial of acclaimed French actor Gérard Depardieu, facing accusations of sexual assault that arose from incidents during the filming of the movie Les Volets Verts in 2021, has officially commenced at the tribunal judiciaire de Paris. The proceedings, initially scheduled for October 2024, had a delayed start due to the actor's health issues, but he is now deemed fit to participate in the court sessions, which are set to last no longer than six hours with scheduled breaks every three hours.
As the trial opened on March 24, 2025, Depardieu was greeted by a considerable media presence, reflecting the high-profile nature of this case, which has drawn attention not only for the allegations but also for its implications on the #MeToo movement within the French film industry. The accusations brought against him include two counts of sexual assault by two women who worked on the film. The first accuser alleges that Depardieu forced her against his legs and inappropriately touched her, while the second claims he groped her on more than one occasion.
During the initial day of proceedings, Depardieu's attorney, Me Jérémie Assous, vehemently defended his client, describing the police investigation as a rushed and inadequate effort, and characterizing the prosecution's tactics as akin to “Stalinist methods.” Assous emphasized that the claims against Depardieu are unfounded, asserting, “Gérard Depardieu has never assaulted the plaintiffs.” This strong rebuttal forms a central part of the defense's strategy, which aims to refute the purported evidence against the actor, insisting that the allegations are fabrications.
In a more personal disclosure, Depardieu himself, although maintaining his innocence, did confess to having made contact with one of the women involved, acknowledging that he placed his hands on her hips, but rigorously denied any sexual intent. He stated, “I don't want to hurt this woman, to shock her. I didn't intend to do anything sexual.” His admission of physical contact seems to complicate the defense narrative, as it seemingly contradicts his absolute denial of any wrongdoing.
The atmosphere in the courtroom has been notably charged. Tensions flared when actress Anouk Grinberg, present to support the accusers, was escorted out after reacting to the defense's claims. Meanwhile, Me Carine Durrieu-Diebolt, attorney for one of the plaintiffs, criticized the defense's attempts to prolong the legal process. She has argued that these tactics aim to wear down the plaintiffs and impede a thorough examination of the core allegations.
The proceedings were briefly halted for the legal teams to review new documentation filed by the defense, highlighting ongoing disputes over the investigative process. The prosecution and the civil parties have voiced discontent regarding what they describe as delaying tactics on the part of the defense, which further complicates the trial atmosphere.
A notable aspect of the trial's environment is the presence of demonstrators outside the courthouse. A feminist protest occurred right before the proceedings kicked off, with activists calling attention to the issues of sexual assault and the need for accountability within the entertainment industry. Blanche Sabbah, a feminist author, remarked on the importance of shining a light on women's voices amid such high-profile cases, stating, “I want people to talk less about him and more about them.”
As day two of the trial unfolded, Depardieu continued to assert his disbelief in the claims against him, portraying himself as a victim of false narratives. “This is not the trial that has been framed against me,” stated Assous, reflecting the defense's stance. The lawyer underscored that the trial would clarify the truth, drawing attention to the vast discrepancy between the charges and their implications.
Moreover, the psychological and emotional toll presented by these allegations on all involved parties cannot be understated. Depardieu revealed his feelings of shame, lamenting the negative public perception he has endured throughout this process. “I am ashamed of the image I have given over the last three years,” he expressed, signifying the personal impact of the ongoing court proceedings. This duality of victimization—both of the accusers and the accused—creates a tension that shapes the public discourse surrounding the trial.
As the case progresses, it appears that Depardieu will face detailed questioning regarding the various accounts of interaction with the plaintiffs, as well as scrutiny over the behavior described during the filming of Les Volets Verts. The dynamics in the courtroom suggest that both sides will continue to fiercely debate the credibility and motives of those bringing forth the allegations.
With accusations holding significant weight—potentially leading to a five-year prison sentence and a hefty financial penalty—this trial represents a critical moment not just for Depardieu, but also for the broader conversation about conduct in the film industry. As the proceedings advance, many are watching closely, aware that the outcomes may echo far beyond the courthouse, shaping societal attitudes and norms surrounding sexual misconduct.
As this high-stakes trial continues, both sides prepare for further intense confrontations, each seeking to solidify their narratives before the court and the watching public.
