A new chapter is beginning for the German music scene as various quartets redefine themselves, with performances brimming with creativity and emotion. The quartet LiLy, based in Barsinghausen, has announced its transformation to the duo La Poesia, bidding farewell to its long-standing format. Over five years, LiLy developed sophisticated poetic concepts, captivating audiences with imaginative performances. They are expressing heartfelt gratitude to their supporters and audience. "Es waren und bleiben für uns unvergessliche Momente vor einem so phantastischen Publikum performen zu dürfen. Wir haben ganz viel Sympathie und reichlich Unterstützung erfahren," stated Hans-Jürgen Wolfgram, reflecting the bond formed with fans during their time as LiLy.
With this transition, Wolfgram and his partner will continue to explore their artistic vision through song and poetry as La Poesia, sharing their creativity and passion with audiences. The duo has indicated their excitement for the future and the new approach they will bring to their performances, which will be announced through local media including the Deister Echo.
Meanwhile, at the traditional Gospel concert featuring the Hans Fickelscher Quartet, the captivating essence of gospel music was reimagined. Held at the Christuskirche during the New Year’s celebrations, this concert featured not only the customary Gospel songs but also innovative interpretations and styles. Fickelscher, along with his talented ensemble comprising Martin Wiedmann on electric guitar, Jürgen Häußler on tenor saxophone, and the soulful Beatrix Steinhübl on vocals and piano, took the audience on a musical exploration beyond well-known classics.
Steinhübl expressed her passion for gospel music, stating, "Ich habe erst dort kapiert, was das eigentlich ist. Das Innerste zum Ausdruck bringen, darum geht es," underlining the deep emotional connection characteristic of gospel traditions, which she experienced firsthand during her time performing within American communities.
Viewers were treated to unique renditions of songs by renowned artists, showcasing the versatility of the group. The concert was punctuated by audience engagement through participation, though it took some encouragement before attendees fully embraced the Circle-Song involvement. Nevertheless, the energy shifted when classics from Harry Belafonte and Ray Charles took the lead, leading to enthusiastic applause and requests for encore performances. The experience encapsulated how gospel music can transcend barriers, turning reserved audiences to active participants, fully immersed and appreciating the emotional potency of the genre.
Lastly, Moles Ahead, a jazz quartet from Bad Bramstedt, continues to carve its niche within the diverse field of jazz music since its inception in 2017. With influences ranging from standards to fusion, the quartet explores various styles, including rock, funk, and soul, highlighting their breadth of experience garnered from bygone years of musical collaboration. Moles Ahead will soon perform at the Foyer im Kurhaustheater on January 17, 2025, offering fans the chance to witness their distinct sound live.
Their concerts are organized by Kleine Bühne Bad Bramstedt e.V., illustrating the community's investment in nurturing local musical talent. Moles Ahead promises not just standards but original compositions, catering to diverse musical tastes and maintaining the vibrant heartbeat of the local jazz scene.
Through these transitions, performances, and enriching musical experiences, it is evident how diverse German quartets and duos are not only contributing to musical creativity but also fostering community connections, echoing beyond mere entertainment to true artistry and emotional expression.