Florinda Meza, the celebrated Mexican actress best known for her role as Doña Florinda in El Chavo del 8, has once again found herself at the heart of controversy following a candid interview with journalist Adela Micha on September 11, 2025. The conversation, which quickly garnered over 40,000 views within hours of its release, has reignited public debate over Meza's personal and professional life—particularly her tumultuous relationships and her critical take on the recently released bioserie Chespirito: Sin querer queriendo.
The HBO-produced series, which debuted three months ago, chronicles the life of Roberto Gómez Bolaños—better known as Chespirito—and was spearheaded by his children, Roberto Gómez Fernández and Paulina Gómez Fernández. While the show has captivated audiences with its behind-the-scenes look at one of Latin America's most beloved comedic universes, it has also drawn sharp criticism from Meza, who insists that her portrayal is far from accurate. "The series does not faithfully represent the relationship I had with Roberto," Meza declared during the interview, as reported by Infobae. She was especially critical of how the show depicted the origins of their romance, which began while Bolaños was still married to his first wife, Graciela Fernández.
Meza’s relationship with Bolaños has long been shrouded in intrigue and speculation. According to both the bioserie and Meza herself, their bond was rooted in mutual admiration of intellect and culture—a connection that blossomed despite the complicated circumstances. Meza recounted, "My cultural background, intelligence, and beauty were qualities that enamored Roberto." Yet, she did not shy away from acknowledging the controversial beginnings of their romance, which involved both parties ending previous relationships after a trip to Chile, as depicted in the series. This episode, according to testimonies from the era, was pivotal in making their relationship public and, as some allege, setting off a chain reaction that would ultimately alter the course of Mexican television history.
But it was Meza’s remarks about her former partners that truly set social media ablaze. When reflecting on her past loves, Meza dropped a bombshell: "There were many that I won’t name because some are still alive and famous, maybe they became a little less dull later, but I used to say: ‘Oh, with this idiot.’" The original Spanish, "Ay, con este pend***," was bleeped out in broadcasts but immediately sparked a frenzy of speculation online. Fans and detractors alike began recalling her well-publicized relationships with Carlos Villagrán—who played Kiko—and producer Enrique Segoviano, both central figures during Chespirito’s golden era.
Carlos Villagrán has previously admitted that his relationship with Meza occurred while he was still married, a fact he later apologized for publicly. However, Meza has consistently denied any romantic involvement with Villagrán, going so far as to say during the Micha interview, "I would never have gone out with someone I considered an idiot." This pointed comment, reported by Milenio and echoed across social platforms, only fueled the controversy, prompting renewed debate about the true nature of their past interactions.
As for Enrique Segoviano, Meza painted a far gentler picture. She described the producer as a kind and gentle man with whom she was once engaged, but clarified that he was not the love of her life. "He was a lovely person, but not my great love," she noted, echoing sentiments she has shared in prior interviews. The contrast in her descriptions of Segoviano and Villagrán did not go unnoticed by fans, many of whom weighed in on social media to either defend or criticize her bluntness.
The bioserie Chespirito: Sin querer queriendo does not shy away from these complicated dynamics. According to the dramatization, both Meza and Bolaños engaged in double infidelities, ultimately choosing each other over their previous partners. Their decision to make their relationship public, particularly after their trip to Chile, is portrayed as a turning point—not just for their personal lives, but for the entire Chespirito universe. The ripple effects of their romance, as recounted by both the series and contemporary testimonies, are said to have contributed to the decline of El Chavo del 8 and El Chapulín Colorado. The departures of key cast members such as Villagrán, Ramón Valdés, and Segoviano are often attributed to the shifting dynamics within the group, with some sources suggesting that personal tensions and shifting allegiances played a decisive role.
Reactions to Meza's interview have been as divided as ever. While some viewers applauded her frankness and willingness to confront uncomfortable truths, others criticized her for what they saw as a lack of tact in discussing individuals who played significant roles in her life and career. As El Universal observed, "Meza’s figure continues to spark passion and debate, especially when it comes to her intimate life and her relationship with the unforgettable Chespirito." The social media response has ranged from supportive messages praising her honesty to harsh rebukes accusing her of stirring up old wounds for attention.
Yet, for all the controversy, Meza remains unapologetic. She told Adela Micha that she does not fear cancel culture, a stance that has only intensified the polarized reactions. "I am not afraid of being a target of cancel culture," she stated plainly, as quoted by Infobae. The interview’s viral success—over 40,000 views and counting—attests to the enduring fascination with Meza’s life story and her role in one of Latin America’s most iconic television legacies.
Three months after the premiere of Chespirito: Sin querer queriendo, the debate over the accuracy of its portrayals and the real-life dramas behind the scenes shows no sign of abating. Meza’s latest public appearance has only added fuel to the fire, ensuring that her legacy—as well as that of Chespirito and his collaborators—remains a subject of lively discussion. In the world of Mexican entertainment, it seems, old stories never truly fade away; they simply find new ways to captivate and divide.
