Japan’s annual New Year’s Eve music show, the Kouhaku Uta Gassen, aired its 75th episode with memorable performances, but this year it was the outfits worn by the hosts, especially actress Kanna Hashimoto's green velvet gown, which dominated social media discussions.
On January 3, Hashimoto shared images of herself on Instagram, dressed beautifully for the event, receiving waves of admiration from fans who described her look as "too beautiful" and "incredibly cute." She showcased the gown which accentuated her décolletage, leaving viewers captivated.
"You looked absolutely stunning!" one user remarked, echoing the sentiments of many others who praised her and the production's aesthetic.
Prime time images from the event highlighted Kanna Hashimoto and fellow host Mone Kamishiraishi wearing dazzling attire, which included Kamishiraishi's elegant white kimono. Hashimoto’s choice of vibrant red for the color scheme was noteworthy and seemed to resonate well with audience expectations for the annual showcase.
The special program titled "Minna no Best Kouhaku: Live New Year Special" is part of NHK's celebration of 100 years of broadcasting, effectively spotlighting past highlights from the long-running series as well.
Before the show aired, Kanna Hashimoto’s manager also posted heartfelt messages about the wonderful collaborative spirit among the hosts, adding personal touches to the formal event's atmosphere. Kamishiraishi echoed this sentiment on her X account, thanking viewers for their support and sharing her delight at participating.
The fashion choices became the talk of various online platforms, with many arguing about the cultural relevance of such grandiose outfits. Dress discussions are common around major events, but Hashimoto’s ensemble has highlighted how public figures represent broader societal aesthetics.
"Fashion speaks volumes about personal identity and cultural representation, especially at events with deep-rooted traditions," remarked fashion critic Yoshito Tanaka. “The 75th Kouhaku needed spectacular imagery for its anniversary, and the hosts delivered."
Despite the overall praised reception, critics voiced concerns about the practicality and appropriateness of flashy dresses like Hashimoto’s, arguing it distracts from the artistic performances themselves. Some on social media criticized the choice for being overly extravagant, questioning the balance between important cultural performances and the fashion spectacle surrounding them.
This vibrant discussion taps directly to global conversations about representation and expectations from public figures, particularly women. Critics and supporters alike reflect the tension between aesthetic delight and meaningful content presentation during culturally significant events like the Kouhaku Uta Gassen.
Hashimoto herself took to her X platform, expressing joy over meeting Kamishiraishi during rehearsals, indicating the warmth between the presenters beneath the glamorous exterior. "I was so happy to see Mone again! Even short encounters are uplifting. It felt wonderful to begin the new year with such exciting programming!"
The lively dynamic between the hosts was palpable, contributing to the evening's success, but the controversy surrounding Fashion continues to loom large. The conversations surrounding dresses represent more than visual appeal; they touch on social norms, expectations, and the essence of cultural pride as reflected through attire.
While performances took center stage during the show, the conversations ignited by the hosts’ dress choices will likely linger well beyond this year's event, showcasing the intertwining relationship between entertainment, representation, and significant cultural observances.