The once-promising Sony Spider-Man Universe is struggling to make its mark among superhero film franchises, failing to gain traction and audience favor. It's hard to predict its long-term viability, especially after the release of several films many deemed disappointing. While comic book movie enthusiasts were eager for more content, it’s evident these films lacked the fundamental element needed to connect with viewers—Spider-Man himself.
Central to this discussion is the most recent installment, Kraven the Hunter, which many critics have lambasted. Although the film aims to reframe Kraven as somewhat of a vigilante rather than just another hunter, its execution leaves much to be desired. Critics pointed out, "The R-rated Spider-Man spinoff felt generic at key junctures." J.C. Chandor’s film grossed only $53.8 million, supported by abysmal reviews—a mere 16% on Rotten Tomatoes. Despite its attempts to weave action with themes of animal conservation, it simply didn't resonate without Spider-Man to connect the dots for audiences.
Historically, Venom (2018) faced similar fate. Tom Hardy's portrayal of Eddie Brock was touted as edgy yet failed to leave the impression screenwriters had hoped for. The film was described as having, "All style with minimal substance," offering sloppy dialogue and over-the-top action sequences. Critics lamented Hardy's lack of charisma contrasted with his broader motivations as the anti-hero, leading to weak ties with audiences and disappointing box office results.
The sequel, Venom: Let There Be Carnage, followed suit, showcasing another lackluster plot centered around Woody Harrelson’s Cletus Kasady. Described as "derivative," the film squandered its potential with repetitive arcs and clichéd interactions, making it just another forgettable entry with too much focus on style over narrative substance.
Exploring the Spider-Man franchise itself, Spider-Man 3 (2007), directed by Sam Raimi, exemplifies how even prominent franchises can falter. Critics reflect on how the film got too busy with convoluted storylines and forced character relationships, saying, "What can be said about Spider-Man 3? It got too busy and convoluted.” Not only did the film have to juggle the Venom character, but it also shoe-horned additional plots such as the love triangle among Peter Parker, Mary Jane, and Harry Osborn, resulting in significant narrative disarray.
Another recent film, Madame Web, faced considerable criticism for its weak plot and character development. Released against the backdrop of the MCU's growing dominance, it felt unnecessary and underwhelming. Critics suggested it, "Complicated everyone’s stories," as it attempted to introduce multiple new characters, only to leave them underdeveloped and confusing within the larger narrative of the universe.
With regards to voicing concerns about Venom 3, one reviewer stated, "It ran...into the same problem the Netflix shows did without the MCU: it felt light and uninspired." This echoed the sentiment of many fans who wondered whether Sony has any real direction moving forward. The film lacked originality and significance, failing to justify its existence within the grander scheme.
Finally, the infamous Morbius (2022) took things to yet another level of disappointment. Often remembered for its memes, the movie was critiqued brutally, with the line "It was Morbin' time... but not with critics and cash-paying viewers" succinctly summarizing its place as one of the year’s notable failures. Reviews reported shading on its incoherent plot, witness to the desperation of Hollywood to capitalize on the superhero frenzy.
Each of these films showcases the clear struggle of Sony’s Spider-Man Universe to create compelling narratives devoid of Spider-Man as the central figure. Despite their energetic action sequences, they often remain devoid of depth. Unless these films can find their footing or rediscover the essence of what made Spider-Man such relatable and beloved characters, fans may continue to refresh their memories with successful entries from Marvel and other franchises.
The road to recovery for Sony's Spider-Man Universe could be long, but one thing's clear—without Peter Parker, these narratives lack the glue to hold them together and resonate with audiences. It's high time for Sony to reevaluate its strategy if it hopes to thrive alongside its competitors.