Almar Otten, the Dutch author known for his thriller the "Blauw goud," found himself at the center of controversy after bringing his diamond-encrusted boxing knuckle duster to the television program "Tussen Kunst en Kitsch." This unique accessory, valued at approximately 50,000 euros, has raised questions about art versus legality.
During the episode, excitement and surprise filled the air as the boxing knuckle duster was evaluated on camera. A show presenter prompted discussion by asking, "Is this not a prohibited weapon?" To which the art expert replied without hesitation, "Yes, this is actually highly illegal." The statement put Otten at the crossroads of art appreciation and legal scrutiny, leaving viewers wondering how such an item could exist publicly.
Initially unaware of the legal ramifications, Otten excused himself by claiming ignorance. He noted, "I had no clue I was traveling with an illegal weapon when I packed my bag for filming.” A remarkable twist emerged when the object became part of the conversation surrounding modern art. "Now it’s modern art, and then it can be permissible," the expert added, leaving many questioning how applicable the law is when it intersects with creative expression.
Art and weaponry rarely share the same space, but Otten's case challenges perceptions. Since 2002, winners of the Diamanten Kogel prize, which Otten received for "Blauw goud" back in 2012, were awarded this unique metal piece created by artist Wim Delvoye. This association with prestigious awards sparked Otten's curiosity about the piece he now possessed, elevates his status as not only a writer but also as someone entwined with valuable art.
Despite the praise for his book, Otten maintains his day job as a civil servant for the municipality of Deventer. Following the airing, Otten humorously recounted remarks from colleagues about his “weapon” saying, "They joked, 'Look out, he has a weapon.'"
Understanding the nature of the weapon laws, Otten quickly learned there are no exceptions even for finely crafted art pieces. A friend informed him, “A boxing knuckle duster is still just as illegal regardless of the diamonds on it.” To legally possess the knuckle duster, he initiated contact with Justis, the governing body overseeing firearm licensing. After filling out the necessary exemption application, he was able to appease local authorities, ensuring the piece would be safely stored away.
Following the incident, Avrotros, the broadcaster, described this as "a learning moment". A spokesperson acknowledged the unusual inclusion of illegal items on the program and promised future diligence before showcasing similar, controversial pieces. They stated, “We will now do our due diligence with the appropriate authorities to check for permits beforehand."
While Otten’s knuckle duster resides safely away, he expressed commitment to never selling it. The publicity inadvertently benefited his earlier work, with his publishing agency Luitingh-Sijthoff reporting impressive sales numbers. “After the episode aired, about fifty e-books sold immediately,” noted the publisher. It’s funny how things work out; I might expect some royalties after all!” Otten laughed, highlighting how sometimes the unexpected can lead to opportunity, even amid controversy.
The mixed reactions from the public reflect the larger debate surrounding legality and creativity. Is art merely the expression of ideas, or does it carry responsibilities? Otten's experience straddles both worlds, showcasing the delicate balance of artist and citizen.
Overall, as Almar Otten navigates the world of literature and unintended notoriety, his story raises poignant questions about the intersection of art and the law. While the beauty of his knuckle duster is undeniable, its illegal status casts long shadows over the excitement it brings.