The cinematic world has once again found itself bubbling with excitement as 2024 has delivered myriad films traversing genres and emotions. With critics and audiences dissecting this year's offerings, it's time for the annual year-in-review, showcasing personal top ten lists from writers and filmmakers who share their most cherished films.
Following The Film Stage’s collective top 50 films, various critics poured over films they’ve encountered throughout the year, noting how their selection reflects both personal taste and broader industry trends. There’s no denying the impact 2024 had on cinema; as critics sift through their favorites, they reveal insights on viewing habits and industry challenges.
For many, 2024 prompted introspection beyond mere box office numbers, pushing conversations toward the essence of storytelling and the purpose behind film. Critics have noted the continuing evolution of the viewing experience, heavily influenced by the COVID-19 pandemic's aftermath, with audiences now more accustomed to viewing films at home rather than theaters. Acknowledging this shift, some critics reflect on their personal reluctance to venture back to the cinema amid what they perceive as distractions—be it technology or changing behaviors of fellow attendees.
Among the standout films critics can't get enough of is I Saw the TV Glow by Jane Schoenbrun. With its compelling narrative from the perspective of marginalized identities, it’s being hailed as both groundbreaking and universally relatable. "I Saw the TV Glow is intrinsically a trans story told by a trans artist, but their cautionary tale of identity speaks to all unwitting outcasts caught beneath the crippling weight of societal, cultural, and emotional oppression," critics have remarked, celebrating Schoenbrun's ability to resonate with many individual experiences.
Equally impressive is Denis Villeneuve’s Dune: Part Two, achieving cinematic excellence with remarkable finesse. "It is an epic science fiction saga... showcasing this visionary’s grasp over complex storytelling, stunning visuals, and deep themes," emphasized James Mustoe from Cornwall’s review, highlighting the film's grip on grandiose pulp storytelling. Timothée Chalamet leads as Paul Atreides, entwining personal struggle with societal destiny, all set against the desert's vast expanse which Villeneuve captured beautifully.
Meanwhile, The Substance directed by Coralie Fargeat has made waves as it tackles Hollywood’s ageism through a uniquely disturbing narrative. Critics focused on the astute exploration of identity and self-worth, with one critic summarizing, "The Substance... is as grotesque as it is poignant... battling internal isolation and the quest for external validation." This film continues to stir conversations around fame and physical representation within the Hollywood framework, drawing viewers deep down the rabbit hole of self-exploration.
Another notable mention is Anora under the direction of Sean Baker, which led critics to marvel at its blend of poignant storytelling and humor. Baker's authenticity shines through as audiences are treated to the intertwined lives of characters overcoming their socioeconomic struggles without losing sight of their humanity. Critics have noted the film's reflection of genuine narratives which many often overlook.
But it's not all heavy narratives; the comedic mix stands out as well. Films like Hundreds of Beavers have critics raving about their whimsical charm and unexpected humor, stating, “It's absurdist, hilariously unpredictable, and features some of the most laugh-out-loud moments from 2024.”
This year’s film offerings also show growth within the horror genre, with films like Smile 2 exploring themes of trauma and fame, connecting deeply with audiences. Critics have emphasized Naomi Scott's performance as pivotal, saying, “Skye Riley perfectly captures the fragility of her persona as she spirals back toward darkness.”
Staying engaged with arriving films, audiences also look to fresh talent, as noted through the recognition of Indigenous storytelling seen in films such as Rez Ball. This film captures the essence of perseverance and community, drawing from the Deep Roots of culture and heritage.
The lists of film favorites serve not only to delight viewers but to propel discussions about where film is headed. With the continuous flux of cinematic landscapes, critics remain hopeful for greater diversity, innovation, and representation as cinemas adapt to modern audiences' preferences. The film community understands the significance of storytelling as art, finding new ways to embrace rich narratives amid the changing tides.
So, here’s to the films of 2024—may they continue to inspire, challenge, and connect audiences worldwide. Looking back at these films reminds everyone involved of the magic cinema can bring, and with eyes set on the future, viewers are encouraged to enjoy the journeys films take them on.