The upcoming NHK Kouhaku Uta Gassen (Red and White Song Fest) has been at the center of controversy, particularly surrounding singer-songwriter Hoshino Gen's planned performance of the song "Jigoku de Naze Warui" (Why is it Bad in Hell). Originally slated to perform during the festival on December 31, 2023, this choice sparked significant public backlash due to its association with director Sion Sono—a figure mired in controversy after allegations of sexual misconduct surfaced in 2022.
On December 26, NHK announced via its official site and social media channels the decision to alter Gen's performance, switching from "Jigoku de Naze Warui" to "Barabara," which appears on his debut album. This move came after the station received numerous criticisms and concerns about potential secondary victimization of survivors related to Sono's allegations, facilitated by the song's thematic ties.
Hoshino Gen initially expressed excitement to perform "Jigoku de Naze Warui," noting on Instagram how NHK approached him with the offer, describing it as "an exhilarating feeling." He emphasized the song's significance to him, relating it to his personal experiences, particularly his recovery from subarachnoid hemorrhage, during which the song was created. Hoshino articulated, "The lyrics are based on my own personal experiences and feelings; they do not express the film's narrative."
Nevertheless, the juxtaposition of performing this song—associated with Sono, who has been accused of inappropriate behavior—raised eyebrows. Critics pointed out the ethical dilemma of featuring this specific piece on such a public platform, especially within the theme of the event, "A Song for You," aimed at uplifting viewers.
Following the backlash, NHK, reflecting on various opinions, released statements reiteratively stressing its stance against sexual misconduct. They clarified, "After receiving diverse opinions post-announcement, we convened discussions with our production team and Hoshino Gen’s side, considering the entire broadcast's structure and direction."
The channel’s officials expressed their dedication to combating sexual abuse, ensuring their selection of songs aligns with this commitment. Yet, the fluidity of public sentiment and the gravity of the allegations demanded attention, leading to the ultimate decision to amend the song choice.
Vocal responses to the situation have been divided. Some fans pointed out the disconnection between the song's lyrical content and the controversy surrounding its original author, asserting the narrative within the song does not inherently carry the stigma of Sono's actions. Advocates for artistic integrity lamented the potential rise of cancel culture, questioning if erasing certain song performances would lead to music being judged solely by the behaviors of its creators.
Conversely, proponents of the adjustment stressed the importance of sensitivity toward victims and the narrative they may convey, insisting such decisions are necessary to maintain ethical standards within public settings. Many viewed the change as necessary to prevent exacerbation of already tense subjects within Japanese society, particularly as public discourse surrounding issues of sexual misconduct and gender-based violence is increasingly potent.
Hoshino Gen's official statement post-announcement aimed to clarify the artistic intent behind his choices, asserting, "We cannot completely deny the possibility of secondary victimization. Therefore, we have decided to refrain from performing this song to avoid unintended consequences." He reiterated the importance of maintaining musical expression, even within the complicated intersections of contemporary social issues.
While expressing his affinity for "Jigoku de Naze Warui," Hoshino concluded, “It holds significant value for many fans and is treasured by me; its position will always remain special.” His thoughts highlighted the nuanced relationship artists maintain with their work, often heavily influenced by the socio-cultural framework at play.
NHK’s decision not only showcases the challenges media faces when addressing controversial subjects but also reflects broader tensions within society, illustrating how public sentiment and ethical standards influence artistic freedom. The debate surrounding Hoshino Gen's song is emblematic of Japan’s current grappling with historical and contemporary inequalities and abuses, showcasing the necessity for thoughtful dialogue within the realms of art and public representation.
