Carlos Diaz Gandia has taken the world of dance by storm, especially after his spectacular choreography for the song "Chiamo io chiami tu" performed by the Italian-Brazilian singer Gaia during Sanremo 2025. A video showing Gandia directing Gaia backstage went viral, making waves across social media platforms, showcasing his unique approach to choreography.
The clip, which features Gandia counting beats through catchy onomatopoeic expressions like "shop, shap, taka tà, tiki tà, boom," has delighted viewers, leading to endless memes and jokes online. It’s clear this talented Spanish choreographer has struck a chord with audiences, igniting curiosity about his background and artistic flair.
Before this viral moment, Carlos Diaz Gandia was already well-known for his impressive work within the contemporary dance scene. His previous collaborations with other prominent artists, including Mahmood and Tony Effe, have not gone unnoticed. For Mahmood, he choreographed the hit single "Tuta Gold" at the 2024 Sanremo Festival, which helped establish his place within the competitive world of performance art.
Not only does Gandia impress with his choreography, but his teaching style is equally engaging. Located at his prestigious Home Dance Studio in Valencia, he dedicates his time to nurturing the next generation of dancers, conducting workshops across several European countries, including Spain, France, and the UK. This initiative has helped embed urban and hip-hop dance styles within various cultural settings, fostering artistic growth and interaction among aspiring dancers.
Diaz’s multifaceted approach allows him to merge technically advanced movements with strong emotional expression, creating performances infused with storytelling and energy. His core philosophy emphasizes the importance of embodying the emotional message of the music, which is made evidently visible through his works.
The success of his choreography often translates directly onto the stage, with flowing movements and narrative quality captivating audiences. Speaking about his dance philosophy, Gandia said, "Credo sia saper interpretare con il movimento quello che ti dice la canzone...tutta l'energia che si genera nel performance è da prendere sotto l'ala della coreografia.” This insight showcases his deep connection with the music and its audiences.
At Sanremo 2025, Dia's choreography marked not only the artistic highlight of the event but also demonstrated how dance has become integral to enhancing the musical experience. With over 90,000 followers on Instagram, he commands attention, and his social media presence only amplified with the newfound fame post-Sanremo. Engaging content such as tutorials and dance tips enrich the experience for those who aspire to reach similar artistic heights.
For Diaz, each collaboration brings forth the opportunity to explore diverse dimensions of dance, broadening his expertise. Having collaborated with international personalities like Will Smith and Latin pop icon Lola Indigo, his influence transcends borders. He makes the art of dance inclusive, welcoming various body types and styles on stage, as he emphasizes the importance of representation within the entertainment industry.
The viral nature of his Sanremo content highlighted the broader societal shift toward embracing diversity and creativity. Artists are increasingly breaking conventional molds and challenging the status quo, and Diaz is paving the way for future generations through his inclusive approach.
Whether guiding Gaia through her performance or setting the stage for another superstar artist, Gandia’s contributions to the world of dance resonate beyond entertainment; they celebrate culture, community, and the empowering nature of performance art. His promising future undoubtedly holds even more groundbreaking moments, inspiring those who dare to move to the rhythm of their hearts.
With aspirations to redefine the dance narrative, Carlos Diaz Gandia is not just shaping performances; he’s fostering connections and enriching lives through the universal language of dance.