The Brazilian film Ainda Estou Aqui has made its mark by being named among the 15 pre-nominated films for the Best International Feature category at the Oscar 2025. Directed by renowned filmmaker Walter Salles, known for previous works such as Central do Brasil, the film has become a beacon of national pride, representing Brazil’s cinematic endeavors on the global stage.
On December 17, 2024, the Academy of Motion Picture Arts and Sciences announced the list of pre-nominations, marking this as the first time Brazil has reached this stage since 2008, with O Ano em que Meus Pais Saíram de Férias, directed by Cao Hamburger. This. year’s announcement is seen as significant, not just for its historical essence but also for the cinematic narrative woven by Salles, who also directed Central do Brasil, which garnered international acclaim.
Set against the backdrop of the turbulent 1970s during Brazil's military dictatorship, Ainda Estou Aqui highlights the poignant story of the Paiva family, with characters portrayed by celebrated actors like Fernanda Torres, Selton Mello, and Fernanda Montenegro. Torres leads as Eunice, struggling with the mysterious disappearance of her husband, Rubens, played by Mello, creating a rich emotional narrative steeped in historical reflection.
The film has seen excellent reception domestically, exceeding two million viewers within its opening weeks, and has also generated considerable buzz internationally. It received additional accolades, including nominations for the prestigious Golden Globe and Critics’ Choice Awards, particularly spotlighting Torres for her role.
Fernanda Torres, who has accumulated numerous awards and nominations for her compelling performances, expressed her sentiments on the film's significant progress: “This year is very difficult, with very good films, and just being on the shortlist is already a big thing.” Her optimism reflects the hope shared across Brazil’s artistic community.
Despite the excitement, industry professionals highlight the challenges of securing an Oscar nomination. The Academy employs rigorous criteria for nominations; only films showcased through theatrical releases for at least seven days are eligible for consideration. This year, out of 85 countries, only one film per country was permitted to compete, which adds to the prestige of Ainda Estou Aqui's selection.
Nonetheless, the pre-nomination does not guarantee inclusion among the final five nominees. Members of the Academy must personally view all 15 pre-selected films and vote from January 8-12, 2025, prior to the reveal of the final nominees on January 17, 2025. With competitive films like Emilia Perez from France and The Seed of the Sacred Fig from Germany also shortlisted, there will certainly be fierce competition.
Industry analysts remain cautiously optimistic. “The most important thing about the Oscars is getting the film seen and voted for,” Torres noted, illustrating the sizable efforts required for campaigning. The film’s team has been working diligently to promote visibility among Academy voters, which could potentially influence the outcome favorably.
Looking forward, the final ceremony will occur on March 2, 2025, providing ample time for the anticipation to build around Ainda Estou Aqui. This featuring at the Oscars not only aims for accolade but also aims to enlighten audiences about its heartfelt narrative rooted deeply within Brazilian history.
Through various film festivals, screenings, and public engagement events, the team behind Ainda Estou Aqui continues to create awareness and excitement around its future Oscar prospects. Torres remains hopeful, emphasizing, “I want to make sure people know if we don't get nominated or win, it doesn't mean the film failed. We just want it to be seen—and it is!” This resilient spirit encapsulates the essence of not just the film but also the Brazilian cinema community’s hope for broader representation and recognition on the world stage.
With anticipation mounting and strategic campaigning underway, both the cast and the film enthusiasts will be waiting with bated breath for the announcement, as Ainda Estou Aqui contends for its place among the esteemed nominees this award season. Aiming high, the film symbolizes the resilient narrative of Brazilian cinema, channeling the past’s lessons through powerful storytelling.
