March 2, 2025, marked a historic moment for Brazilian cinema as the film Ainda Estou Aqui took home the Oscar for Best International Feature Film at the prestigious Academy Awards held at the Dolby Theater in Los Angeles. This momentous win not only celebrates the film's artistic achievements but also emphasizes its significant reflections on Brazil's tumultuous political history during the military dictatorship.
The film, directed by Walter Salles and based on Marcelo Rubens Paiva's book, narrates the poignant story of Eunice Paiva, played by celebrated actress Fernanda Torres. Set against the backdrop of the 1970s, the narrative explores Eunice's struggles as she faces imprisonment and the disappearance of her husband, Rubens Paiva, played by Selton Mello. While these historical undertones make the film especially relevant, it also resonates deeply with audiences for its portrayal of resilience and strength under oppressive circumstances.
Fernanda Torres, who had been nominated for her exemplary role, expressed her feelings leading up to the ceremony. Speaking on the red carpet, she revealed, "I woke up today anxious. It’s horrible. But then it passed because you have to get ready. Now I’m great.” Torres’s expression of her nerves before the big night highlighted the weight of anticipation she felt. Interestingly, she had not prepared any speech, reflecting on the wisdom of seasoned actor Robert De Niro, who she cited as inspiration.
Torres wasn't the only notable figure at the Oscars. Her mother, Fernanda Montenegro, who had been nominated for Best Actress back in 1999 for her role in Central do Brasil, had also worn black to the festivities—a homage to their shared status as groundbreaking actresses within Brazilian cinema. This unique generational legacy of talent reminded viewers of the deep cultural fabric connecting the past and present.
Walter Salles dedicated the Oscar to Eunice Paiva, stating emphatically on stage, "First of all, thank you on behalf of Brazilian cinema. I am very honored to receive this award among such extraordinary filmmakers. This award goes to a woman who, during a painful loss under an authoritarian regime, decided not to bend and resist. So, this award goes to her. Her name is Eunice Paiva. And also to the two incredible women who portrayed her, Fernanda Torres and Fernanda Montenegro.” Salles's acknowledgment of the film's roots and his dedication signified the importance of history and memory within the narrative.
Ainda Estou Aqui's success hasn't been confined merely to international accolades; it's also been embraced by audiences back home, with over five million viewers, making it one of the top-grossing Brazilian films of all time. Prior to the Oscars, it had collected several awards, including Best Screenplay at the Venice Film Festival and the Golden Globe for Best Actress for Torres.
The film’s exploration of family dynamics and societal struggle struck chords with many, allowing it to become not just entertainment but also activism. The compelling performances, especially by Torres, have garnered attention across the international film scene, positioning Brazil as increasingly impactful within global cinema.
Reflecting on the dual victory of Best International Feature, Torres's nomination for Best Actress, and the potential of bringing home the prestigious Best Film award, 2025 marks not only a historic year for the film but also for Brazilian representation on the world stage.
With victory at the Oscars, Ainda Estou Aqui stands as both evidence of Brazilian talent and resilience, creating hope for future cinematic endeavors. Through challenges of bureaucratic censorship and societal issues, films like these give voice to human experiences often left unexamined, bridging countries and cultures through storytelling.