The 75th Berlinale Film Festival has come to a close, showcasing a broad range of cinematic achievements and often sparking discussions about the films recognized this year. The awards ceremony celebrated numerous filmmakers and actors, with the Golden Bear being awarded to Norwegian director Dag Johan Haugerud for his film "Drømmer," creating buzz and intrigue about the selections made by this year’s jury.
Many critics observed the festival’s overall tone as comparatively subdued, mirroring the sentiments of the audience who witnessed the screenings. The jury’s decisions were met with mixed feelings; some applauded the choices, whereas others pondered whether larger statements about the state of cinema were intended.
Haugerud's "Drømmer," which translates to "Dreams (Sex Love)" is adorned with the prestigious Golden Bear, reflecting the jury's recognition of its thematic weight and narrative depth. The film revolves around the complex experiences of Johanne, a 17-year-old girl who navigates her feelings for one of her teachers, unraveling the trickling emotions through her family's lens. Reviewing the sentiments surrounding the film, many noted it was not overwhelmingly exciting, yet the project has sparked significant dialogue since its screenings.
Another standout recognition came for actress Rose Byrne, who received accolades for her compelling performance in "If I Had Legs I’d Kick You." Directed by Mary Bronstein, the film presents Byrne’s character grappling with mounting neuroses, depicted ingeniously through its unique cinematography, capturing her internal struggles. Critics remarked on her engaging portrayal, which was filmed almost entirely close-up, drawing the audience deep within her character’s psyche.
Along with Haugerud and Byrne, additional noteworthy honors went to films such as "O ultimo azul" by Gabriel Mascaro, which received the Grand Jury Prize, and "El Mensaje," by Iván Fund, earned accolades for the jury prize. Each piece reflected on contemporary social issues, showcasing the festival's commitment to presenting narratives laden with cultural significance.
Reflecting on the atmosphere from the festival, director Lionel Baier, who presented his own film, found time to share thoughts connected to themes of freedom and expression, particularly relevant today. Baier's narrative delivered ties to personal history interlaced with broader socio-political commentary—elements he emphasized represent our current reality. Baier stated, "We do not realize how lucky we are to be free… the film can remind us, it was all totally different not long ago." His film adapts the novel "La Cache" by Christophe Boltanski, connecting past and present through art and memory.
Despite the recognition of significant works, many echoed concerns about the festival’s overall program, describing it as somewhat tepid this year. Comments from Pascal Gavillet noted, "The awards reflected the festival's overall tone this year,” indicating expectations for more vibrant selections. Stars such as Timothée Chalamet, Robert Pattinson, and Jessica Chastain graced the red carpet, underscoring the mix of celebrity allure and the film’s artistic aspirations. Yet, as Gavillet points out, the fanfare didn’t mask the overarching sentiment of wane within the festival atmosphere.
Even as laureates were celebrated for their contributions to cinema, the Festival's legacy continued to engage debates among film lovers and critics alike. The ceremony heralded not merely moments of grandeur but also poignant reflections on the stories being told today, and the struggles facing creators amid prevailing themes of resilience and originality.
To conclude, the story of Berlinale 2025, witnessing its 75th year, encapsulates both triumphs in creativity and stirring calls for the future of cinema. With the awards now distributed, the hope remains for more daring narratives and groundbreaking storytelling paths at future festivals—one where the passion and vigor of filmmaking are reignited.