The Art Gallery of New South Wales has set a historic precedent with the appointment of Maud Page as its first female director in its 154-year history. This major milestone, announced recently, comes after an extensive global search for a successor to outgoing director Dr. Michael Brand. Page, already serving as Deputy Director and Director of Collections, will officially assume her new role on March 28, 2025, marking the beginning of what many hope will be a transformative era for one of Australia’s most significant cultural institutions.
Page's journey in the world of art began more than two decades ago, with her experience spanning across major public art galleries in both Australia and internationally. Since joining the Art Gallery of NSW in 2017, she has been pivotal in shaping the gallery’s direction, particularly through her innovative approaches to community outreach and engaging diverse audiences. In her words, "I strongly believe in the transformative power of art and look forward to working with artists and colleagues at my neighbouring cultural institutions and in greater Sydney as well as further afield with regional galleries and museums across the state, to welcome new audiences and families."
Under her leadership, the gallery has demonstrated a strong commitment to expanding its reach beyond its central location. Page has successfully overseen curatorial direction for high-profile exhibitions and has strengthened the representation of First Nations art, a priority for the institution moving forward. Michael Rose, chair of the Art Gallery of NSW, emphasized her strengths during the selection process, noting that Page was the standout and only local candidate shortlisted among several internationals, which speaks volumes about her capability and vision.
Dr. Michael Brand, who has led the gallery since 2012, leaves behind a legacy characterized by significant accomplishments, including the completion of the Sydney Modern Project—a landmark development viewed as the most significant cultural initiative since the Sydney Opera House. Brand has overseen the gallery's transformation into a globally respected institution, elevating its international standing and boosting visitation numbers significantly. Reflecting on his tenure, he expressed, "It’s been a huge honour and privilege to lead our public art museum through such an extraordinary transformation." He also stated gratitude for the support he received during his time in leadership.
The outgoing director underscored the importance of community and collaboration that he has fostered, a sentiment echoed by Page as she prepares to take on her new responsibilities. She is firmly committed to maintaining this community-focused outlook while also steering AGNSW toward an inclusive future. John Graham, Australia's Minister for the Arts, highlighted her critical vision for expanding engagement, especially with younger and more diverse audiences, as essential for the gallery’s future.
As Page prepares to take on her new role, she has articulated her dedication to enhancing children’s engagement with art through innovative programs such as the Children's Art Library and the popular Hive Festival for young audiences. It represents her plan to create enduring connections between art and the next generation, ensuring that appreciation for the arts is nurtured from an early age. With over two million visits each year, AGNSW ranks 28th among the world’s most-visited art museums according to the annual Art Newspaper survey—a testament to its significant role in the cultural landscape.
While celebrating this milestone, Page's appointment does not come without challenges. Recently, she has also faced pressure from some quarters to steer the 154-year-old institution towards a less politically charged stance, a directive that poses tough questions about the artistic directions of public institutions in contemporary society.
Through it all, Page's historic appointment signifies not only a change in leadership but also a broader movement towards gender equity in the arts sector. As she steps into her role, all major galleries and museums in New South Wales are now headed by women, a reality that reflects the evolving dynamics of cultural institutions.
There’s a palpable excitement surrounding what Maud Page will bring to her new position at AGNSW. As she takes on this historic role, she carries with her not only the experience gained through years of dedication and hard work but also the hope and expectation of those who look to her leadership to advance and enrich the role of art in Australian society. With the eyes of the public and the art world upon her, the next chapter for the Art Gallery of New South Wales holds promise for inclusivity, innovation, and an inspiring connection to culture and community.
