Amy Schumer stars in the newly released romantic comedy, Kinda Pregnant, now streaming on Netflix. The film showcases Schumer's signature humor as she plays Lainy, a high school teacher who pretends to be pregnant following her friend Kate's actual pregnancy announcement. This premise sets the stage for comedic encounters and cultural commentary, marking her return to the comedic spotlight.
Directed by Tyler Spindel and co-written by Schumer and Julie Paiva, Kinda Pregnant explores themes of jealousy, social validation, and the desire for attention through the lens of comedy. Lainy’s character embarks on her deception primarily due to her envy of Kate, portrayed by Jillian Bell. The film's humor arises from Lainy's antics, which include wearing increasingly absurd representations of her fake baby bump—often using props ranging from balloons to even roasted chickens to sustain her falsehood.
Throughout its runtime, Kinda Pregnant dives deep not only to elicit laughs but also to touch on the absurdities of societal expectations surrounding pregnancy. The associated behaviors and treatment of Lainy shift as she navigates her charade, highlighting the emotional need for validation. It’s humor wrapped around relatable, albeit exaggerated, experiences, reflecting on how society views pregnant women.
The film gained mixed reviews, stirring polarized opinions among fans and critics alike. It currently possesses only 18% on Rotten Tomatoes based on critic ratings, with user ratings hovering around 25%. Meanwhile, on Letterboxd, it stands at 2.1 out of 5 stars, demonstrating significant disapproval from viewers. Yet, social media tells another story, with many fans posting about their enjoyment of the film. "For every negative comment on Kinda Pregnant, there is someone else posting about enjoying it," noted one online observer.
Critics have expressed disappointment, with some branding it among the year's worst films, criticizing it for failing to capitalize on its talented ensemble. One review remarked, "Kinda Pregnant is both an opportunity missed with its content and a waste of its ensemble." This backlash includes more than just pent-up criticism; some argue it reflects broader sentiments tied to Schumer’s public perception, seen as both beloved and divisive. Her direct involvement and personal experiences with infertility added layers to the audience's expectations for sensitivity woven with humor.
While the film does deliver laugh-out-loud moments, such as Lainy's entrance to prenatal yoga classes and her outrageous attempts to maintain her ruse, critics suggest it falls short on emotional depth. Instead of digging deeply, it often relies on sight gags and juvenile humor typical of Happy Madison productions. The frequent use of slapstick humor undermines significant themes, leaving some uncomfortable with its approach to sensitive subjects.
Contrary to this, the film does provide moments of genuine connection. Lainy's burgeoning relationship with Josh, played by Will Forte, gives some glimpses of emotionality amid the chaos. Their interactions juxtapose Lainy’s wild deception against meaningful exchanges, with the audience able to glimpse what forms her desires and fears.
Despite its setbacks, Kinda Pregnant does resonate with many viewers, who relate to Schumer's comedic take on deep-seated insecurities and the desire to be seen. The film engages with the comic arts, reminding audiences of the way societal roles are portrayed through comedy, even when they tread heavily on sensitive ground.
Through Schumer’s undeniable energy, the movie manages to elicit mixed sentiments—some celebrate its comedic approach, as she garners sympathy with her relatability, whereas others find it lacking the depth expected from such themes. It is, perhaps, this division—evident on various platforms—that amplifies discussions surrounding Schumer and the film's reception, hinting at how social media can skew perceptions of artistic work.
Concluding, Kinda Pregnant offers insights not only about the state of comedy but also about societal attitudes toward pregnancy and femininity. It serves as both entertaining and enlightening, albeit imperfectly. Schumer's latest venture, much like her career, incites passionate discussions, showing again how divisive figures can create enduring conversations through their work.