On March 28, 2025, Ahn So-yi's agency, Model Beny Korea, announced a firm legal response to allegations made by the YouTube channel 'Garo Sero Institute' (Gaseyeon). The agency stated that a broadcast aired on March 2, 2024, which claimed that Ahn So-yi was in a romantic relationship with Kim Gwang-soo, the representative of PocketDol Studio, was entirely false.
In an official statement, Model Beny Korea emphasized the seriousness of the situation, asserting, "The claims made in the video titled '[Shocking Exclusive] Girl Group DIA Member Caught with a Man' are blatant fabrications. We have decided to take legal action to protect our artist." The agency expressed its commitment to safeguarding Ahn So-yi's reputation, stating that it has been monitoring malicious comments and false information circulating online and on social media.
The agency's statement continued, "We will not tolerate the spread of baseless rumors and reckless speculation regarding our artist. We are already in the process of collecting evidence through our legal representatives, and we plan to respond vigorously under a zero-tolerance policy." This indicates that Model Beny Korea is prepared to pursue criminal charges and civil damages against those responsible for spreading harmful content.
Model Beny Korea's announcement comes amid a growing concern over the impact of online defamation on artists. The agency highlighted that they have observed a continuous stream of malicious comments aimed at Ahn So-yi, further justifying their decision to take legal action. They reiterated, "We will take strong legal measures against all malicious activities, including criminal charges and civil damages, to protect our artist's rights."
The video in question, which sparked the controversy, included claims about Ahn So-yi's personal life that the agency categorically denied. Model Beny Korea stated, "The allegations made in the Garo Sero Institute video are unequivocally false, and we will pursue legal action against the channel as well as any individuals involved in the dissemination of this misinformation."
In a broader context, this incident reflects the challenges faced by public figures in the digital age, where rumors can spread rapidly and damage reputations almost instantly. The agency's proactive stance serves as a reminder of the importance of accountability in online discourse.
Ahn So-yi, who debuted in 2017 as a member of the girl group DIA, has since transitioned to a career as a Broadcast Jockey (BJ) after leaving the group in 2019. She has been active in the adult streaming sector since 2021, showcasing her versatility beyond music.
On March 27, 2025, just a day before the agency's announcement, Ahn So-yi signed an exclusive contract with Model Beny Korea, indicating a new chapter in her career. The agency expressed its commitment to supporting her various activities moving forward.
In their official statement, Model Beny Korea also underscored their dedication to fostering a healthy fan culture and protecting their artists. They urged fans and the public to refrain from participating in the spread of false information and to support Ahn So-yi positively.
The agency concluded by stating, "We promise to work diligently to protect our artist and ensure that malicious acts do not go unpunished. We will continue to monitor the situation closely and take necessary legal actions against any further defamatory activities."
This situation raises important questions about the responsibilities of content creators and the potential consequences of spreading unverified information. As the digital landscape evolves, the need for integrity and respect in online interactions becomes increasingly crucial.
As Ahn So-yi navigates this challenging period, her agency's firm stance against defamation highlights the importance of protecting artists from unwarranted attacks and the potential harm that can arise from unchecked rumors.
In the entertainment industry, where public perception can make or break careers, incidents like this serve as cautionary tales about the power of words and the necessity of accountability in the digital age.
As fans and observers await the outcome of this legal battle, it remains to be seen how the situation will unfold and what implications it may have for Ahn So-yi's career and the broader conversation about online conduct.
Ultimately, the case underscores the need for a balanced approach to freedom of expression and the protection of individual rights, especially in an era where social media can amplify both praise and criticism in equal measure.
