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Arts & Culture
09 August 2025

Wembley Probes Mass Ticket Scam At Oasis Concerts

Hundreds reportedly gained VIP access at sold-out Oasis gigs as Wembley launches a sweeping investigation into security lapses and ticketing scandals.

Wembley Stadium, one of the UK’s most iconic music venues, has been thrust into the spotlight following revelations that up to 200 people may have been smuggled into a string of sold-out Oasis concerts without tickets. The allegations, which surfaced on August 9, 2025, have prompted a full investigation by stadium authorities, casting a shadow over the much-anticipated Live 25 reunion tour by the Britpop legends.

Oasis, reuniting for the first time since their notorious 2009 split, played five nights at Wembley between July 25 and August 3, 2025. According to BBC and Sky News, the demand for tickets was nothing short of feverish—selling out within hours and sparking heated debates over the fairness and transparency of ticket pricing. Reports of dynamic pricing, which Ticketmaster denied, only added fuel to the fire as desperate fans scrambled for a chance to see Liam and Noel Gallagher share the stage once again.

But as the dust settled from the ticketing controversy, a new scandal emerged. As reported by The Sun and corroborated by BBC, Sky News, and The Independent, some concertgoers allegedly paid £350 each to be smuggled into Wembley through a disabled entrance. The scam, reportedly orchestrated by two women, involved groups using copies of the same ticket to get past security. Once inside, they were handed wristbands—often referred to as "golden circle" passes—that granted them access to the coveted VIP area right in front of the stage.

One fan who participated in the scheme described the experience to The Sun: “We were given our tickets, which were all the same, and a woman drew a shape on our hands. We were told to go to the disabled door at entrance M, even though our tickets said entrance F. We showed our stamped hands to the person on the door, they scanned the tickets, even though we all had the same one, and let us in. Another member of staff then handed us a golden circle wristband and that was it. There were zero security searches. We just walked straight in.”

The scale of the operation is startling. According to BBC, the alleged ringleaders claimed to have “10 groups of 20” waiting to enter, suggesting a highly organized effort. The lack of security checks, as described by those who snuck in, has raised serious questions about the venue’s protocols and the vulnerability of major events to such breaches.

Wembley Stadium has responded with a firm statement. As relayed to Sky News, a spokesperson said: “Entering Wembley Stadium without a ticket is a serious offence and we are investigating these allegations. If they are substantiated, we will refer our evidence to the police.” The stadium’s management emphasized their commitment to the safety and integrity of their events, but the investigation is ongoing, and no further details have been released about the progress or findings so far.

The consequences for those caught have been immediate. Across the five shows, six people were arrested for suspected unauthorized entry, and 24 were ejected from the venue for the same reason, according to Sky News and BBC. Whether these numbers reflect the full extent of the breach remains unclear, but they underscore the seriousness with which authorities are treating the matter.

The controversy comes at a time when Oasis is enjoying a triumphant—if turbulent—return to the stage. The Wembley gigs marked the first time since July 12, 2009, that Liam and Noel Gallagher performed together at the stadium, a poignant moment for fans who have waited 16 years for a reunion. The tour, announced in August 2024, has since expanded, with Oasis scheduled for two more Wembley shows on September 27 and 28, as well as dates in Edinburgh, Dublin, Japan, South Korea, South America, Australia, and North America.

Yet the band’s reunion has not been without its challenges. In Edinburgh, where Oasis performed at Murrayfield Stadium on August 9 and are set to return on August 11, local authorities predicted “rowdy” and “intoxicated” crowds. Liam Gallagher, never one to shy from controversy, responded from the stage in front of 70,000 fans, calling the City of Edinburgh council a “bunch of snakes” and declaring, “we’re still waiting for our apology,” as reported by The Independent.

The excitement around the tour has also had a ripple effect on the local economy—sometimes to the detriment of fans. The Independent highlighted “outrageous” price hikes for hotels and accommodation in Edinburgh, with some rooms fetching up to £4,000 and one 12-bedroom house listed at £8,009. With 92% of hotels and lodgings sold out during the band’s stint, fans found themselves paying a premium to be part of the historic reunion, especially as the shows coincided with the Edinburgh Fringe festival.

Adding a somber note to the festivities, the band expressed condolences after the death of a fan, 45-year-old Lee Claydon, at one of the Wembley gigs. Details surrounding his passing have not been made public, but the tragedy served as a reminder of the unpredictability—and sometimes the peril—of massive live events.

As Oasis continues its globe-spanning tour, the fallout from the Wembley breach remains unresolved. For many, the incident is a cautionary tale about the vulnerabilities of even the most secure venues and the lengths to which some fans—or opportunists—will go for a taste of rock and roll history. Ticketing controversies, security lapses, and the skyrocketing costs of attendance have all become part of the modern concert experience, challenging organizers to adapt and protect both their artists and their audiences.

For now, Wembley’s investigation presses on, with the eyes of the music world watching closely. Whether the alleged smuggling ring will lead to criminal charges or lasting reforms in event security remains to be seen. What is certain, though, is that the Oasis reunion tour has already left an indelible mark—not just for the music, but for the drama unfolding behind the scenes.