Netflix’s February 2026 lineup has landed, and it’s a dazzling, sometimes dizzying, mix of high-stakes drama, global perspectives, and a few tough ethical questions. Announced on February 5, Netflix’s new offerings for the month reflect the streamer’s relentless ambition to be everything to everyone—whether you’re after adrenaline-fueled sports documentaries, courtroom intrigue, or quiet, soul-searching international cinema. But this month isn’t just about what’s new; it’s also about what’s leaving, with several modern classics making their exit, urging viewers to catch them before they disappear.
Leading the charge are some of Netflix’s most anticipated returning series. Formula 1: Drive to Survive roars back for its eighth season on February 27, promising even more behind-the-scenes drama from the 2025 FIA Formula 1 World Championship. According to Hypebeast, this season delivers “never-before-seen footage” and “unprecedented access,” giving fans a front-row seat to the rivalries, friendships, and high-octane chaos that define the sport. Executive producers James Gay-Rees and Paul Martin, known for their work on Amy and Senna, are once again at the helm, ensuring the series remains as gripping as ever.
Legal drama fans, meanwhile, can dive into The Lincoln Lawyer Season 4, which dropped on February 5. This time, protagonist Mickey Haller finds himself on trial for a murder he didn’t commit, locked in a tense battle with a relentless district attorney. The stakes have never been higher, as Haller must clear his name, save his firm, and expose the real killer. It’s classic Netflix: taut, binge-worthy, and full of twists.
Romance and regency are back on the menu with the return of Bridgerton. The second half of Season 4 arrives on February 26, shifting the spotlight to Benedict Bridgerton. As Hypebeast notes, Benedict is “loath to settle down—until he meets a captivating Lady in Silver at his mother’s masquerade ball.” Fans of the series can expect more opulent costumes, simmering scandals, and the kind of swoon-worthy storytelling that has made Bridgerton a global sensation.
But February isn’t just about sequels and returning favorites. The streamer is also rolling out original content that pushes boundaries and sparks conversation. On February 6, the investigative documentary Queen of Chess premieres, telling the extraordinary story of Judit Polgár, a Hungarian girl who broke through the male-dominated world of international chess. Over a 15-year journey, Polgár sets her sights on beating world champion Garry Kasparov, discovering along the way that genius and grit are only part of what it takes to become one of the greatest players of all time.
Another headline-making documentary, The Investigation of Lucy Letby, arrived on February 4. Produced by ITN Productions, this film has already stirred controversy. According to critics cited in the UK press, the documentary features “previously unreleased footage of Letby’s arrest at her home in Chester” and interviews with the police and legal experts who navigated the notorious case. Letby’s parents have publicly condemned the film as an “invasion of privacy,” particularly objecting to the use of footage showing their daughter in her dressing gown. The documentary’s approach—shifting from the horror of the crimes to the mechanics of the investigation—has impressed some for its craft, but also raised ethical questions about the balance between public interest and the dignity of victims’ families.
On a lighter, yet equally poignant note, This Is I (premiering February 10) offers viewers a window into the life of Ai Haruna, a beloved Japanese transgender icon. Directed by Yusaku Matsumoto, the film traces Kenji’s journey from bullied schoolboy to idol performer, culminating in Japan’s first gender confirmation surgery performed by Dr. Wada. The film is lauded for its musicality and emotional resonance, with a standout scene where Ai, in a red dress, steps into the city for the first time—a moment that, as one reviewer puts it, “reminds us why we watch films: to see the world through someone else’s eyes and feel their triumph as if it were our own.”
Viewers seeking historical gravitas can turn to The Swedish Connection, debuting on February 19. This biopic dives into the life of Gösta Engzell, a Swedish bureaucrat who, through quiet rebellion and bureaucratic maneuvering, helped save thousands of lives from Nazi persecution during WWII. The film challenges the narrative of Sweden’s wartime neutrality, depicting Engzell’s transformation into a “moral superpower” at a time when indifference reigned. For fans of nuanced historical drama, this is one not to miss.
February’s lineup also includes Pavane (February 20), a South Korean romantic drama based on Park Min-gyu’s novel. Directed by Lee Jong-pil, the film weaves together the lives of three lonely souls—Mi-jung, Yo-han, and Gyeong-rok—who find solace and connection in the mundane setting of a department store car park. The chemistry between the leads, coupled with the film’s gentle exploration of beauty, perception, and the possibility of loving again, has already won praise for its subtlety and emotional depth.
Of course, not everything is new. February also marks the last chance for subscribers to stream several beloved titles. Modern classics like 28 Days Later, Parasite, and The Terminator leave the platform on February 1, while Zodiac exits on February 17 and Brooklyn Nine-Nine Seasons 3-4 depart on February 26. For those who like to savor their favorites, now’s the time to queue them up.
Beyond the marquee titles, Netflix is peppering the month with a global assortment of series and specials. From the French crime drama Cash Queens (February 5) to the comedy special Mo Gilligan: In The Moment (February 3), and the Valentine’s-themed Is It Cake? (February 5), there’s a little something for everyone. Kids and families can look forward to The Creature Cases: Chapter 7 (February 10), and those in search of nostalgia can revisit the Night at the Museum trilogy (February 3) or the complete run of Stargate SG-1 (February 17).
Netflix is also making waves with its live programming. The iconic talent competition Star Search returns as a live event, airing new episodes on Tuesdays and Wednesdays, with the finale set for February 17. Meanwhile, comedy fans can catch Sommore: Chandelier Fly (February 17) and Taylor Tomlinson: Prodigal Daughter (February 26) for a dose of stand-up brilliance.
With so much on offer, February 2026 on Netflix is a testament to the platform’s global reach and creative ambition. Whether you’re drawn to the heart-pounding world of Formula 1, the moral dilemmas of true crime, the resilience of trailblazers like Ai Haruna, or the quiet poetry of Korean cinema, this month’s lineup is designed to challenge, comfort, and entertain. As the streaming landscape grows ever more crowded, Netflix’s February slate stands out for its range, depth, and willingness to push boundaries—sometimes uncomfortably so, but always with an eye toward sparking conversation. For viewers, it’s both a feast and a farewell, as old favorites make their exit and new stories demand to be seen.
In a month where the only constant is change, Netflix’s February 2026 catalog invites audiences to explore, reflect, and, above all, keep watching.