Michael "5000" Watts, the visionary DJ, producer, and founder of Swishahouse Records, died on Friday, January 30, 2026, at the age of 52. His passing, confirmed by his family and echoed across social media, marks the end of an era for Houston hip-hop and the broader world of Southern rap. Watts’s death was attributed to Torsades de Pointes, a rare and fatal heart rhythm disorder that led to sudden cardiac death, as detailed by his family in a public statement. He spent the final week of his life hospitalized at Memorial Hermann Hospital in The Woodlands, Texas, surrounded by loved ones, according to FOX 26 Houston.
Watts’s family had shared updates on his health in the days leading up to his passing, describing his condition as “tremendous health issues” and asking fans for prayers. In an emotional statement released on his official Instagram account, the family wrote, “It is with profound sadness and heartbreak that we inform the public of our beloved Michael ‘5000’ Watts. On January 30, 2026, Watts transitioned surrounded by loved ones. We truly appreciate the love shown to Michael throughout his career and we ask for continued prayers as we navigate through this very hard journey.”
Born on June 7, 1976, in Houston’s Homestead neighborhood, Watts began his DJ career at just 14 years old, spinning records and making mixtapes for his local community in the mid-1980s, as reported by Chron. This grassroots approach would become a defining feature of his later work. Watts built his reputation from the ground up, selling tapes in his neighborhood and developing a keen ear for the emerging sounds of Houston’s underground scene.
By 1997, Watts had co-founded Swishahouse with fellow DJ OG Ron C, creating a Northside counterpart to the South Side scene that had been pioneered by DJ Screw. Swishahouse started as a grassroots mixtape label, but under Watts’s leadership, it quickly grew into a cornerstone of the “chopped and screwed” genre—a slowed-down, bass-heavy remix style that became synonymous with Houston culture. While DJ Screw is often credited as the originator of the style, Watts played a pivotal role in bringing the sound from the streets of Houston to the national stage.
Swishahouse’s influence exploded in the late 1990s and early 2000s, especially with the release of “Still Tippin’,” a landmark track featuring Slim Thug, Mike Jones, and Paul Wall. The song, which originally appeared on Swishahouse’s The Day Hell Broke Loose 2, helped transform the label from an independent mixtape powerhouse into a commercial juggernaut and established Houston’s unique sound in the mainstream. Watts appears behind the turntables in the “Still Tippin’” music video, a fitting symbol of his role steering the movement. As Billboard highlighted, this moment marked Swishahouse’s transition from a local phenomenon to a national force, launching the careers of multi-platinum artists like Paul Wall, Mike Jones, Slim Thug, and Chamillionaire.
Watts’s impact extended far beyond the music he produced. OG Ron C, his longtime collaborator and Swishahouse co-founder, paid tribute to Watts as a visionary and mentor. In his statement, Ron C said, “Michael ‘5000’ Watts was more than a founder, he was a movement. Beyond the music, Michael Watts was a mentor, a cultural curator, and a builder of opportunity. He believed in ownership, creativity, and the power of storytelling through sound.” G Dash, another close friend and business partner, echoed these sentiments on Instagram, reflecting, “We built something meaningful together, and that history matters, regardless of where things stood at the end. We had many conversations about life, and the last few times we talked, I understood the amount of stress he was under. I hate that it ended this way for him. Out of respect for what we created together, I will make sure the legacy is forever preserved.”
Swishahouse’s influence didn’t stop at music. Under Watts’s guidance, the label secured landmark distribution deals with Asylum Records and Atlantic Records, taking the North Side “chopped and screwed” sound to audiences far beyond Texas. Watts was also a regular presence on Houston radio, hosting popular shows on 97.9 The Box and performing his signature Swishahouse Mixes. His “After Party” mixtapes remain essential documents of Southern hip-hop, capturing the energy and innovation of the era.
Watts’s dedication to his community was as notable as his musical achievements. He mentored young talent, promoted ownership and entrepreneurship in the music industry, and worked tirelessly to put Houston on the global hip-hop map. As FOX 26 Houston reported, “Michael ‘5000’ Watts was a pillar of the Houston music scene whose impact extended far beyond the booth.” His grassroots approach and commitment to uplifting those around him earned him the respect and admiration of peers and fans alike.
In the days leading up to his death, the Houston music community rallied around Watts. News of his hospitalization prompted an outpouring of support from artists such as Paul Wall and Slim Thug, who took to social media to ask for prayers and share their respect for the man who had helped launch their careers. Watts’s wife, Tammie, spoke candidly about his health struggles and the overwhelming support from fans. The family has announced that details regarding a community event to honor Watts’s life and legacy will be shared on his official social media channels in the coming days.
Michael Watts is survived by his wife, Tammie Watts, five children, and two grandchildren. He leaves behind not just a family and a legion of fans, but an enduring legacy as one of the architects of Houston hip-hop. Swishahouse Records, in a statement, summed it up best: “Michael ‘5000’ Watts was more than a founder, he was a movement.”
Watts’s story is one of perseverance, innovation, and community spirit—a testament to the power of music to shape culture and bring people together. His influence will continue to be felt in Houston and beyond, as new generations discover the sound he helped create and the doors he opened for countless artists.
Plans for a public memorial are forthcoming, but for now, the city of Houston and the wider hip-hop world pause to remember a true pioneer—one whose beats, vision, and generosity changed the sound of a city and the shape of an industry.