Arts & Culture

Jonathan Majors Returns To Film Set For Daily Wire Comeback

The embattled actor begins shooting his first movie in four years with a secretive action project produced by The Daily Wire, following his 2023 assault conviction and Hollywood fallout.

5 min read

On February 26, 2026, the quiet streets of South Carolina found themselves at the center of a Hollywood comeback story. Cameras started rolling on an untitled action movie starring Jonathan Majors, marking the actor’s first film project in four years and his first major role since a highly publicized legal downfall in 2023. The film, shrouded in secrecy, is being produced by The Daily Wire and Bonfire Legend, two companies that have recently become known for offering second chances to actors sidelined by controversy.

At the helm is director Kyle Rankin, who penned the screenplay and previously collaborated with The Daily Wire and Bonfire Legend on the 2020 thriller Run Hide Fight. The plot and additional cast details are tightly under wraps, but according to Deadline and ScreenCrush, insiders describe the story as reminiscent of 1980s and 1990s action staples like Red Dawn and Toy Soldiers—films where groups of teenagers are thrust into extraordinary circumstances and must band together to fight off invading enemies. It’s a classic formula that evokes nostalgia and, perhaps, a sense of redemption for Majors himself.

The producing team includes some notable names: Ben Shapiro, the conservative commentator and co-founder of The Daily Wire, and Dallas Sonnier of Bonfire Legend. Travis Mills, Lillian Campbell, and Sydney Aucreman round out the production crew, while Caleb Robinson and Mike Richards serve as executive producers. Majors himself is also executive producing through his Tall Street Productions company—a move that signals both creative investment and a personal stake in his return to the screen.

Behind the camera, the film boasts Kristopher Kimlin as cinematographer, David Guglielmo in charge of casting, Vincent Reynaud as production designer, and Emma Fleming managing costumes. The project reunites Rankin with The Daily Wire and Bonfire Legend after their successful partnership on Run Hide Fight, which had its premiere at the Venice Film Festival in 2020.

Majors’ journey to this film has been anything but smooth. Once one of Hollywood’s most promising young actors, he delivered acclaimed performances in films like The Last Black Man in San Francisco and Da 5 Bloods, and took on high-profile roles in Creed III, Ant-Man and the Wasp: Quantumania, and HBO’s Lovecraft Country. In 2023, however, his career screeched to a halt after he was arrested and later found guilty of reckless assault in the third degree and harassment following an altercation with his then-girlfriend, Grace Jabbari. The December 2023 verdict led to his immediate dismissal from several major projects, including the Marvel Cinematic Universe, where he had been cast as Kang the Conqueror.

The fallout was swift and severe. As reported by Forbes and Variety, Majors lost not only his Marvel role but also partnerships and endorsements, including a prominent Army recruitment campaign. Marvel Studios, in response to his conviction, opted not to recast Kang but to rework the franchise’s direction entirely. The next Avengers film, once titled Avengers: The Kang Dynasty, was retitled Avengers: Doomsday and will now feature Robert Downey Jr. returning to the Marvel fold as Dr. Doom. The film is scheduled for release on December 17, 2026—a date that once might have belonged to a Majors-led blockbuster.

In court, Majors was sentenced to 52 weeks in a counseling program, narrowly avoiding jail time. The conviction could have carried up to a year in prison. During the trial, additional women came forward with allegations of abuse, according to Variety, but Majors was acquitted on an additional assault charge and an aggravated harassment charge. The repercussions were immediate: Majors became another high-profile figure whose career was derailed by legal and personal controversy.

Yet, as the cameras roll again in South Carolina, the industry—and the public—are left to ponder the possibility of redemption. The Daily Wire, the production company behind Majors’ comeback, has made a name for itself by giving opportunities to actors ousted from mainstream Hollywood. Gina Carano, dismissed from Disney’s The Mandalorian after controversial social media posts, found a new home in The Daily Wire’s Terror on the Prairie. Roseanne Barr, whose rebooted sitcom was canceled after a widely condemned tweet, starred in the animated series Mr. Birchum for the company. The Daily Wire’s willingness to court controversy is not without criticism, but it has established the brand as a haven for those seeking a second act.

Majors’ own production company, Tall Street Productions, is deeply involved in the new film, echoing his hands-on approach in the 2023 drama Magazine Dreams. While details about the new action film remain scarce, the involvement of Rankin, Shapiro, and Sonnier suggests a project that will lean into the intensity and camaraderie of classic action fare, with a potentially modern twist.

As The Washington Examiner points out, this is not just a story about one actor’s comeback—it’s a reflection of broader shifts in the entertainment industry. The Daily Wire, founded in 2015, has expanded from news and podcasts into feature films and documentaries, including Matt Walsh’s Am I Racist?, which played in over 1,600 theaters and grossed $12.3 million. Their willingness to invest in ostracized talent is both a business strategy and a cultural statement.

Majors, for his part, is not limiting his return to this one project. He remains attached to star in Merciless, a supernatural revenge thriller directed by Martin Villeneuve, which was first announced in the summer of 2024. Whether these projects will be enough to restore his standing in Hollywood remains to be seen, but the new action film represents a significant—and closely watched—first step.

For now, all eyes are on South Carolina, where Jonathan Majors is back in front of the camera, surrounded by a team eager to prove that second chances can lead to compelling stories both on and off the screen.

Sources