Hilary Duff has made a triumphant return to the stage, launching her Small Rooms, Big Nerves Tour with a sold-out, emotionally charged performance at London’s O2 Shepherd’s Bush Empire on January 19, 2026. For fans who’ve waited nearly two decades to see the pop icon headline her own concert series, the night was a blend of nostalgia, new beginnings, and a few surprises that only Duff herself could deliver.
The anticipation for Duff’s comeback was palpable long before the first note rang out. According to Rolling Stone, fans lined Shepherd’s Bush Road with homemade posters, buzzing with excitement for the first stop on a four-city run that will take Duff to Toronto, Brooklyn, and Los Angeles. This limited tour, designed to favor intimacy over spectacle, marks her first headlining concert series in nearly 18 years—a fact not lost on the generations of listeners who grew up with her music and Disney Channel legacy.
In the hours leading up to the show, Duff offered her followers a glimpse into her state of mind. As reported by People, she posted makeup-free selfies on social media, her hair in a messy bun and a towel draped around her shoulders. The caption? “Show day. Trying to act normal.” It was a candid admission of nerves and excitement, made all the more relatable by her honesty. “I’d be lying if I said I wasn’t scared shitless,” Duff confessed to V Magazine, adding, “It’s obviously nerve-wracking.” Yet, she found comfort in her family, especially her husband and musical collaborator, Matthew Koma, whom she called “the safest person in the world.”
The night’s setlist was a carefully crafted journey through Duff’s career. She kicked things off with “Wake Up” and “So Yesterday,” instantly transporting the crowd back to the early 2000s. From there, she moved seamlessly between beloved classics and fresh material, including the live debuts of “Roommates,” “Weather for Tennis,” and “Future Trippin’”—the latter two being unreleased tracks from her upcoming album, Luck… or Something, which is set to drop on February 20, 2026, via Atlantic Records (Billboard).
One of the night’s most memorable moments came when Duff invited three fans onstage to join her in the “With Love” dance, a nod to her 2011 TODAY show performance. According to Vulture, it was a “Sing to Me Paolo” moment for the lucky participants, and the crowd erupted in cheers as they danced alongside their idol. This interactive segment underscored the evening’s theme of closeness—Duff wasn’t just performing for her fans; she was performing with them.
But perhaps the most anticipated—and emotional—part of the concert was the live debut of “What Dreams Are Made Of,” the iconic anthem from 2003’s The Lizzie McGuire Movie. Despite its enduring popularity, Duff had never performed the song live before. In a recent interview with Jake Shane on Therapuss, she reflected, “I don’t even remember recording the Disney song, since I was only 14 at the time. But I will say, now I love it. And when I was filming the movie, I loved it. It was just a weird time, and it wasn’t technically my song. It was a Lizzie McGuire song.” She added, “When I sing it now, I feel a lot of joy. I just think there was such a separation back then of me and my music and Lizzie McGuire. I didn’t really get to perform that song live, because I didn’t own it. But if I would ever tour again, I think maybe I would be allowed to manage to sing that song somehow…some way. Maybe, maybe. Hypothetically.”
As Duff belted out the final notes of “What Dreams Are Made Of,” the atmosphere was electric—a full-circle moment for both the artist and her audience. Xodivad described the night as “a perfect collision of nostalgia and new era excitement,” with Duff’s setlist serving as a “masterclass in her catalog.” Songs like “Metamorphosis,” “Fly,” “My Kind,” “Sparks,” and “Come Clean” kept the crowd singing along, while new tracks offered a glimpse into the next chapter of her musical journey.
This return to live performance is more than just a victory lap for Duff; it’s a testament to her resilience and evolution as an artist. After her last album, Breathe In. Breathe Out., was released in 2015, Duff shifted her focus to family and acting, welcoming three daughters with Koma and raising her son, Luca, from a previous marriage. Now, as she steps back into the spotlight, Duff credits her family’s support—especially Koma, who co-produced Luck… or Something with Brian Phillips—for making this new chapter possible.
“I am often asked how I still have my head on straight after growing up in this industry,” Duff told Atlantic Records upon announcing her new album. “The album title is my way of answering that question. It’s luck, but there’s also a lot of weight in the ‘…or something.’ Many of the things I’ve been through along the way are held there, and I feel like ultimately that’s what’s shaped me.”
The tour’s next stop is Toronto on January 24, followed by Brooklyn and Los Angeles—each promising the same blend of intimacy and spectacle that made the London show so memorable. Fans can also look forward to a Las Vegas residency and, as teased by Duff, a docu-series chronicling the making of Luck… or Something and her journey back to music. Early singles “Mature” and “Roommates” have already set the tone for what promises to be a deeply personal, grown-up album.
For those lucky enough to attend, the Small Rooms, Big Nerves Tour is more than just a concert—it’s a celebration of Hilary Duff’s lasting impact on pop culture and a reminder that, sometimes, dreams really do come true. As Duff closed out her London show with a beaming smile and a heartfelt wave, it was clear: she’s back where she belongs, and fans old and new are ready for whatever comes next.