Arts & Culture

Eternity Surpasses F1 On Apple TV Charts

Elizabeth Olsens afterlife romance overtakes Brad Pitts F1 as Apple TVs top film, earning critical acclaim and sparking discussion about love, memory, and choice.

5 min read

It’s not every day that a film about the afterlife races to the top of the streaming charts, but that’s exactly what happened with Eternity, the latest romantic drama to make waves on Apple TV+. Starring Elizabeth Olsen, Miles Teller, and Callum Turner, the film has captured both critical and popular attention, overtaking Brad Pitt’s blockbuster F1 and prompting viewers everywhere to ponder: if you had one week to choose your forever, what – and who – would you choose?

According to Apple Magazine, Eternity opens with a deceptively simple premise. In a fictional afterlife, every soul is granted a single week to decide where to spend eternity. Joan, played by Olsen, is suddenly confronted with a choice few could imagine: waiting for her in this liminal space are two men who shaped her life in profoundly different ways. There’s Larry, her husband of decades (Teller), and Luke, her first love (Turner), who died young and has been anticipating her arrival for years. The emotional stakes are high, but the film resists easy answers or melodrama, instead focusing on the quiet, reflective moments that define a life – and what comes after.

The afterlife in Eternity isn’t some grand spectacle. Instead, it’s The Junction: a sort of cosmic departure lounge where possible eternities are laid out like booths at a conference center. As VODzilla.co describes it, Larry arrives at The Junction after choking on a pretzel at his grandkid’s gender reveal party. He resolves to wait for Joan, who is battling terminal cancer back on Earth. But when Joan finally joins him, she faces an agonizing dilemma – not just between two men, but between two versions of herself and the life she’s lived. The film’s narrative structure moves fluidly between the afterlife and flashbacks to Joan’s life, allowing viewers to see how each relationship shaped her at different stages.

The film’s central question is as existential as it is romantic. Is love defined by shared history and daily experience, as with Larry? Or is it the preserved, unspoiled memory of a first love, as with Luke? Eternity doesn’t present one as superior to the other; rather, it explores how different forms of love can coexist within a person, even when only one path can ultimately be chosen. Olsen’s performance anchors the story, capturing the fear, anger, sadness, and hope that accompany such a monumental decision. As VODzilla.co puts it, "She’s feisty, afraid, angry, sad and hopelessly in love all at once – and has believable chemistry with every co-star and prop going." Turner’s Luke is dashing and devoted but tinged with frustration and entitlement, while Teller’s Larry balances grumpy cynicism with warmth and humor.

Adding a touch of levity to the proceedings are John Early and Da’Vine Joy Randolph, who play two Junction workers meddling behind the scenes to make their own afterlife more entertaining. Director David Freyne, who co-wrote the script with Pat Cunnane, keeps the focus firmly on the emotional core of the story, even as the production design dazzles with imaginative visions of possible eternities. The result, according to VODzilla.co, is "a grounded yet ethereal comedy that has all the wonder of A Matter of Life and Death and all the playful profundity of The Truman Show."

The film’s success isn’t limited to critical acclaim. As reported by Collider, Eternity premiered at the 2025 Toronto International Film Festival before heading to U.S. theaters on November 26, 2025. Its Apple TV+ debut on February 13, 2026, was perfectly timed for Valentine’s Day, and it quickly shot to the top of the streaming charts, dethroning Brad Pitt’s F1 after a remarkable 63-day run at number one. Within just one day, Eternity was topping the charts not only in the U.S. but worldwide, scoring 86 number-one spots according to FlixPatrol.

Critics and audiences alike have embraced the film. It boasts a Certified Fresh 77% approval rating from critics and an even more impressive 90% from audiences, earning a Verified Hot badge. Praise has centered on the film’s clever, original concept, its nuanced performances, and the compelling love triangle at its heart. Financially, Eternity has also been a success, grossing $34.9 million worldwide against a modest $12 million budget, as noted by Box Office Mojo.

Comparisons to The Good Place have abounded, with some calling Eternity the perfect replacement for fans of that philosophical sitcom. But where The Good Place assigned soulmates, Eternity asks its protagonist to choose her own, adding a layer of agency and emotional complexity. The film’s afterlife is less about cosmic judgment and more about personal reflection – a space where unresolved emotions can finally be addressed and pivotal memories revisited.

The film’s release also marks another milestone for Apple TV+. With Eternity overtaking F1, the platform continues to diversify its slate of original films, offering everything from high-octane sports dramas to introspective romantic comedies. While F1 – which grossed a staggering $633.1 million and earned four Oscar nominations – remains a formidable presence, producer Jerry Bruckheimer has confirmed that a sequel is in development, suggesting that the race for streaming supremacy is far from over.

As for Eternity, its blend of romance, reflection, and speculative storytelling has struck a chord with viewers seeking something both heartfelt and thought-provoking. The film’s attention to emotional detail, its willingness to sit with uncertainty, and its refusal to offer easy answers make it a standout in a crowded field of romantic dramas. Whether you’re drawn to the philosophical questions it raises or simply moved by the performances at its center, Eternity offers a cinematic experience that lingers long after the credits roll.

In a world where so many stories rush to resolution, Eternity finds its strength in the pause – in the space between memory and possibility, between what was and what might be. And for audiences everywhere, that’s a choice worth celebrating.

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